Giclee

What Makes Some Prints More Expensive Than Others?

by Gary Eckhart on March 18, 2009

in Production

There are two methods of creating reproductions of fine art in use today. The older, traditional method is off-set lithography where hundreds or thousands of prints can be produced at one time allowing for a less expensive and frequently inferior print. The newer, more sophisticated process is called giclee (pronounced zhee-clay) where prints are produced one at a time with great color and texture accuracy.

With off-set lithography, a photographic image of the original work is created. The image is then separated into individual color plates corresponding to the color inks to be used in the final printing process. Each color is printed individually from a metal plate requiring any number of runs through a press with the printer trying to match the position of each layer of ink printed (not always successfully) to the layer of ink below (called registration). The quality and weight of the paper is limited by the capabilities of the press and the colors can vary depending on the quantity and quality of the ink used. The process is not unlike the process used to print newspapers and magazines.

Offset Lithography Giclee Printing
  • Photograph of original work
  • Colors printed separately
  • Multiple passes from the same original
  • Ink quality varies
  • Print media is limited
  • High resolution computer image original
  • Digital image editing/correction
  • Prints produced on at a time
  • All colors printed in a single pass
  • High quality inks
  • Variety of print media (paper, canvas, etc.)

With the giclee process, a computer image of the original work is created. The image created is very high resolution and is true to the original in terms of brushwork, texture and color. A technician then manipulates the computer file to get the appearance even closer to that of the original, with the correct color being the key element. Once the artist approves a proof, the image is stored as a file on the computer. Each print is then produced one at a time to guarantee accuracy. Unlike the off-set process, which requires multiple passes through the press with the hope of producing accurate colors, all of the colors of the giclee are produced using archival pigments with one pass allowing complete color, texture, and brushwork accuracy for each print. Furthermore, the printing can be done on the same type of surface (canvas, paper, etc.) as the original work of art.

When a giclee is placed next to the original, it is nearly impossible to tell which the original is and which the giclee is.

How permanent is a giclee? In recent years the ink industry has developed stable, light-fast, pigment inks for large format computers used to produce the giclee. At the same time, the paper industry has expanded and improved lines of paper to make them compatible with specialized, computer printers. This combination has made giclees viable as permanent pieces of art. You can purchase a giclee knowing that it will increase in value just as the original work of art.

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November Snow goes to Tahoe, CA

by Gary Eckhart on March 16, 2009

in Our Customers

November Snow, Giclee, Gary Eckhart

November Snow, Giclee, Gary Eckhart

November Snow giclee hanging in a home in Tahoe, CA

“I wanted to let you know that we have hung NOVEMBER SNOW in a place of prominence in our new home in Tahoe, CA. The colors and the detail in the work and the quality of the frame are all perfect.” — C.R., Tahoe, CA

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